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After sales policy: Support the return policyWith his laid-back, straightforward vocals and large, imposing build, Don Williams came to be known as “the Gentle Giant.” That nickname was bestowed on him in the early ’70s, when he began a string of countrypolitan hits that ran into the early ’90s. Williams was never known as an innovator, but his ballads were immensely popular; in the course of his career, he had a total of 17 number one hits.
Williams began playing guitar when he was child, learning the instrument from his mother. As a teenager, he played in a variety of country, rockabilly, folk, and rock & roll bands. After completing high school, he formed his first band with a friend named Lofton Kline. Williams and Kline recruited another singer, Susan Taylor, and formed the Pozo-Seco Singers, a folk-pop group, in 1964. The following year, the band signed a contract with Columbia Records. In 1966, the Pozo-Seco Singers had a pop hit with “Time,” which climbed into the Top 50. For the next two years, they had a series of minor hits, highlighted by two Top 40 hits in late 1966, “I Can Make It with You” and “Look What You’ve Done.” The group stayed until 1971.
After the Pozo-Seco Singers disbanded, Williams decided to pursue a career as a songwriter in Nashville, since he wasn’t convinced that he was suited for a solo career. He signed with Jack Clement’s Jack Music, Inc., initially just as a songwriter. By the end of 1972, he had signed with JMI as a solo artist, releasing “Don’t You Believe” as his debut. The song went nowhere, but “The Shelter of Your Eyes” climbed to number 14 at the beginning of 1973. For the next year, Williams scored a string of minor hits before he had his 1974 breakthrough, “We Should Be Together,” which reached number five. The single led to a contract with ABC/Dot. “I Wouldn’t Want to Live If You Didn’t Love Me,” his first single for ABC/Dot, reached number one in the summer 1974. The single launched a string of Top Ten hits that ran more or less uninterrupted until 1991; between 1974 and 1991, only four of his 46 charting singles didn’t make the Top Ten. Instead of reaching the top of the charts with his original material, most of his big hits were covers of other songwriters, including John Prine, Bob McDill, Dave Loggins, and Wayland Holyfield.
During the ’70s, Don Williams became the most successful country artist in the world. His country-pop not only crossed over into the American pop mainstream, it also gained him a large following in England and Europe. In addition to his Top Ten hits, Williams won several country music awards, highlighted by the Country Music Association naming him Male Vocalist of the Year in 1978, the same year his number one single, “Tulsa Time,” was named Single of the Year. In the late ’70s, he began acting, appearing primarily in the films of his friend Burt Reynolds, including W.W. & the Dixie Dancekings and Smokey & the Bandit II.
In the early ’80s, Williams slowed down the pace of his career slightly, as he was suffering from back problems. Nevertheless, the hits continued to come and many of his singles reached number one. In 1986, he left MCA Records — which had acquired the ABC label while he was recording for it — and signed with Capitol. The change in labels didn’t affect his career at all, as he continued to hit the Top Ten with regularity. In 1987, he underwent back surgery, which cured his problems. Williams signed with RCA Records in 1989. Initially, he continued to have hits, but his streak came to an end in early 1992, following his last Top Ten single, “Lord Have Mercy on a Country Boy.” Although he continued to perform in the mid-’90s, he had effectively retired to his Nashville farm, returning to recording in 1998 with I Turn the Page.
After some limited touring, Williams resumed his recording career with My Heart to You on Sugar Hill/Compendium in 2004, followed in 2006 by his “Farewell Tour of the World,” playing throughout the United States and Europe, and another retirement. This one lasted until 2012, when he re-emerged with the acclaimed And So It Goes on Sugar Hill. Williams continued recording and performing, and released Reflections in March of 2014. The year 2016 brought another retirement for Williams, who announced he was ready to “enjoy some quiet time at home.” He died in September 2017 at the age of 78.
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· 如您收到的商品存在破损或瑕疵，请通过写信或邮件至service@abcrecord.com告知我们， 并在您购买商品28天之内将商品退回至我司，我们可以为您换货或修复破损或有瑕疵的商品，或者全额退款给您（包括邮费和包装费）。实物商品（包括但不仅限于CD）请按原样退回至以下商品退换地址：Block 3,15/F.,Richland Tower,288 Heng Fu Road,Guangzhou,P.R.C. （同时包含一份破损或有瑕疵商品的说明）。音乐下载退换需发送至以上邮箱并附上一份破损或有瑕疵商品的说明。
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1. 邮费如何收取？
所有区域我们提供免费包装，邮费按重量收取。
2. 包裹通过什么方式送达？
中国大陆境内我们用First Class mail发货。其他区域我们用standard Air Mail发货。大量订单一般用DHL发货。
3. 如何退回破损商品或有瑕疵的商品？
如果我们售出的的商品有破损或者有瑕疵，您只需自购买日起28天内通知我方（通过信件或是电邮service@abcrecord.com）并将货物寄回给我们，我们可以为您退换或者为您修复损坏或者有瑕疵的商品，或者全额退款给您（包括包装费和邮费）实体商品应以原样寄回到我司以下退货地址：中国广州市恒福路288号恒福阁三座十五层。音乐下载应通过以上邮件地址回传直我司，并附上一封您的通知。
4. 能否取消订单？
自购买七日之内，或收到货物七日之内起（以后时间先后的后一个为准），您可以取消订单。若您取消订单，我们会全额退款给您。退货商品需寄至以下地址：中国广州市恒福路288号恒福阁三座十五层。音乐下载退换需发送邮件至service@abcrecord.com并附上一份取消订单通知和订单号。
5. 如何下载MP3？
MP3购买付款之后，页面会自动跳转到下载MP3 Zip文件的链接。该文件是有有效期的，建议您马上下载，最好是当天完成下载。如果您过了下载期限而无法下载文件，请电邮service@abcrecord.com。
6. MP3下载后不小心删掉了怎么办？
下载MP3后，您应保证自己知道其储存路径。例如在您的桌面上，默认的储存路径因您电脑的设置而异。您可以在电脑里搜索曲目名称或艺术家名称来查找文件。如果您仍然找不到该文件，请电邮service@abcrecord.com。
7. 你们采用的比特率为多少？
我们MP3的编码速度为320kbps，采用的是恒定比特率。
8. MP3文件用什么播放？
MP3格式是数字音乐格式中兼容性最好的。您电脑里的任何媒体播放器或移动设备都能够播放MP3文件。
9. 为什么不是ABC（国际）唱片发行的所有唱片都支持下载？
因为ABC不是拥有发行所有唱片的版权，许多还需要获得许可。有些唱片仍需特许安排意味着我们没有该唱片的下载版权，因此我们无权发行该唱片的MP3格式。我们也在尽最大努力发行更多的MP3版本，但目前为止我们提供的MP3格式的下载，占ABC（国际）唱片网站上所有专辑总数的25%。
E-mail： service@abcrecord.com
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